
Brother Sun Trio (L-R) Pat Wictor, Joe Jencks and Greg Greenway with our music writer Debra Penberthy.
Award-winning folk trio Brother Sun opened last Saturday night’s Levitt Pavilion Pasadena concert, the final night of the 2014 season.
By Debra Penberthy
Given the high quality of the musicians chosen for the Levitt, it goes without saying that Brother Sun’s performance was technically brilliant. More importantly, the trio’s clear love for music and deep-felt commitment to their songs’ messages of peace and love seemed to cast a spell over the full crowd, who became involved in the performance as early as the first song.
Prior to their performance, I had a chance to interview the trio, consisting of Joe Jencks (vocals; guitar; and bouzouki, which he described as an overgrown mandolin); Greg Greenway (vocals, guitar, and piano) and Pat Wictor (vocals, slide guitar, acoustic and electric guitars).

Award-winning folk trio Brother Sun @ the Levitt Pavilion
What would you like for people to know about your music and why you do it?
Greg:
Well, it’s all about harmony. And when you hear what we do, [you realize that] that’s a metaphor.
When I listened to your music, I heard that with the three part vocal harmony and with the content—the messages. Tell me about your song about immigrant rights?
Joe:
Yeah, ‘Lady of the Harbor.’ (See official video here). As many of us do, I come from a family of immigrants. And a couple of years ago I got to go to Ellis Island and look up my granddad’s name in the books in Ellis Island. And I really got to thinking about immigration and how the immigrant experience has changed. And I think we live with this sort of Norman Rockwellesque sense of being the great melting pot and this welcoming place. But sort of every successive waive of ethnic immigrants from various parts of the world have experienced that it isn’t always as friendly. So I wanted to write about that, but I also wanted to write about [the framing of the American immigrant experience]. Emma Lazarus wrote this beautiful, famous poem that sits at the foot of the Statue of Liberty that ends with “Give me your tired, your poor, your huddled masses yearning to breathe free.” And when Emma wrote that, the consciousness around the Statue of Liberty was not necessarily about a symbol of immigration. And through her art and through her poetry, she re-framed how a nation looked at this symbol and put it in a different light for us.
How was it viewed before then?
Joe:
I think it was just a work of art. It was more triumphant and patriotic, and she invited us to think of it differently. And that became our perspective. And so when I was writing this song, I really wanted us to again think about it differently.
Wow. Powerful, and it’s an incredible song. So how long have you guys been singing and playing together?
Patrick:
Close to four years for us. And we’ve all been friends for a long time and all made music in pairs over many, many years. And we sang together for the first time in the summer of 2009, and it was really obvious within the first few minutes that the sound of our voices together was something very special and powerful. So we knew that we wanted to see what we could do with that.
Who would you say your influences are?
Greg:
Oh wow. That’s one of the greatest things about this is that the harmony is what people get from Brother Sun, but underneath that we get to play just about anything. So, as long as they hear that familiar harmony people will listen to us play jazzy stuff, traditional sounding stuff, rock stuff. As a musician it’s a beautiful thing, because it allows us this great latitude. So whatever influence we are trying to bring into our stuff, as long as we can make it sound like us with the harmonies, that’s pretty much it. So, if you listen tonight, you’ll see that from song to song, we rarely give you the same set of instruments, even two times in a row. It’s just always shifting and changing, and that’s really one of the fun things about it.
Joe:
We all can cite a dozen different artists as influences The Blind Boys of Alabama and Cat Stevens with a lot of Crosby, Stills, and Nash brought in.
Greg:
Yeah, we’re Crosby, Stills, and Nashy but from the South, with a little more gospel thrown in. That’s kind of the common thread among us. Believe it or not, Pat started out as a shredder, as a metal guy, and Joe knows far more about traditional or Celtic music. And I am kinda the pop guy. So, we have a large vocabulary from which to draw.
It sounds like you just freakin’ rock!
Greg:
Yeah, you could say that!
And rock they did!
Check out their website here, and catch these guys if they are back in town anytime soon.














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