• Arts & Entertainment, Reviews

      Movie Review | The Whale

      A man in a robeBrendan Fraser’s “comeback movie” is a finely-acted character drama given unusually restrained direction from Darren Aronofsky.

      The Whale
      Directed by Darren Aronofsky – 2022
      Reviewed by Mark Tapio Kines

      Wearing pounds of convincing fat makeup, Fraser plays Charlie, a morbidly obese junior college professor who has spent years overeating as a means of coping with the death of his boyfriend. When his friend/nurse Liz (Hong Chau, excellent) informs him that he is suffering from congestive heart failure and has just days to live unless he goes to a hospital, Charlie decides to stay put in his Moscow, Idaho apartment instead, for reasons that slowly become apparent.

      If The Whale seems stagy – just five characters in one location, with plenty of expository dialogue – it’s because it is adapted by Samuel D. Hunter from his own 2012 play. (Aronofsky inexplicably sets the drama in March 2016; the Republican primary plays on TV in the background.) Yet Aronofsky shoots it like real cinema, not trying to “open it up” for the big screen but knowing – with help from editor Andrew Weisblum – when a closeup or insert shot can tell us something that a stage presentation couldn’t.

      Fraser’s inherent likability works perfectly here: Charlie may be grotesque to look at, but the actor’s sweetness makes him watchable and human. It’s spot-on casting and Fraser deserves all the accolades he’s been receiving.

      The Whale isn’t perfect: a Christian missionary (Ty Simpkins) who impedes upon Charlie’s life is a somewhat superfluous character whose enduring presence – he comes back to the apartment nearly every day – feels particularly theatrical, especially when his lengthy third act monologue attempts to wrest our attention away from the main story. And after all that, he ultimately serves only as a rote symbol of homophobia – a target of Samuel D. Hunter’s ire. But it’s a small quibble. The Whale is otherwise very good filmed theater with a very good cast and sensitive direction from a filmmaker whose work I usually find overwrought.

      > Playing at Landmark Pasadena,  Regal Edwards Alhambra Renaissance, AMC Atlantic Times Square 14, AMC Santa Anita 16, Regal UA La Canada, and AMC Americana at Brand 18.

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      Author

        • Mark Tapio Kines

          Mark Tapio Kines is a film director, writer, producer and owner of Cassava Films.

          Award-winning Colorado Boulevard Newspaper is your go-to source for informative news, engaging events, and vibrant community life in the greater Pasadena area. We’re proud to be recognized for excellence in journalism and remain committed to informing, educating, and collaborating to create a better world, both locally and globally.

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